备注:已完结
类型:理论片
主演:Jeremy Davies Michael Lerner Russel
语言:英语
年代:未知
简介:影片毡所有人赤物均舰没有知报销出贪姓芹名,馈只朔能甸以他寐们的肿身份为惺区别韭。拉斯永维加仓斯附逾近的一个地方宣法官,为了控制印第宋安硬人团的盂赌场恿发珐展,胸做出了变违择背法律拷的庭判决,引雁起了窒手形下厕书障记肤官的不满。窖法官为了粪摆筛脱眉书签记官宰,协反而向再印崩第卧安赌鉴场梅老大诬趋陷书蚂记莎官招是FBI痕卧底,要袱求御派焦人除掉孩他。书栈记官舜在泽眼禄见卞爱郊妻被抢人陷杀害后独自逃涣走排,糜成凭了旗拉盐斯谐维加敷斯附近陇的亥一个弧茫然起无助的流卸浪吉汉,而赌蛙场老大也付傀出一旅踩行袋怨现金妖派出杀手催,淡追样杀册那祟个九流遂浪右汉。杀迅手菇刚鬼刚承走岔出蔼赌啤场,就贫被辊赌忱场云的哑一个老搔警洛卫伺机彰黑箭吃黍黑夺走了娜他装荤钱马的牙旅芽行袋,老榆警卫舰逃哑走时慌赞乱新中莲出了车籍祸亚,未被一伪个闻巡警发这现勾并衬夺揖走了晕了斯旅行匀袋香中种的大量现锄金颇,狡猾显的茫巡蠢警乘把咆旅滥行鼠袋寄往烫了附驮近韵的腰小匹镇柱“29棕花榈定”犯。雹流浪汉来现到类“29棕榈寓”协小镇要长途车站的时暇候,吟已经身无跃分谤文夺,爱车站战守恨卫看宅出他心有啪所图捍,灾也觉叫来衣警遁察盘由问想,轩但脉还招是被膨他略施小杨计诣顺手偷珠走了被当作邮核件错寄掷来济的芜旅遗行灰袋。绪流浪脏汉些发现蛙了旅行袋中鞠的循大函量唆现金谦,睛又惊实又喜之余厉又剐买裔来聋若干一模一样的甄旅行奄袋,汗装上书籍以备搪万省一。幢流浪压汉买了一黔辆汽车上路,无谓心发诞财的为他顺手给倒了尽一述个条穷小袄孩一荧叠钞票哆,谁知曙却又烹惹肢上了麻院烦。流浪胎汉曰在笋路边发现剖一僧个讹女孩诚正在啪向一辆坊破车溃发弓脾薪气,宴他谩载了那个女埋孩上路欲,从女孩盆告徘诉他自己甸是肆一凤家季赌场耻的女律招待桅,魄其实讹她觅就雏是傅那个忠男择孩的姐馏姐倪。在旅馆葬洗晃澡椿休士息磋的时候,霞流浪汉一念顷之述差倒滦在女孩津身边拦睡熟了钓,恋醒来时却发饶现摇身茹边掺的旅行痈袋不见冀了阴。女瘁孩拿甘走鹏了枕一个没寇钱符的旅期行袋,烘有钱辨的那匝个泊袋子喻却琅在德她拷开倾走唉的流浪辙汉车子尧的后备淘箱里确。巡离警建发邪现樱寄野来冤的旅猾行袋咳丢失童,宠气躁急颓败杯坏地到处寻段找,畜女孩干落在伦他手栈里黎,源就在月他馈欲施强暴常的时候抠,杀菌手和淤老警绽卫先后窟赶到粕,三个又人为圆了没激钱岗的知旅行熏袋几乎掀拼胸了简命。茵就在捎所有人为了炔旅行举袋狸和金钱斗攻心眼涪的时候,奄流浪汉支却谦独自招杀戏进了赌辊场为庶妻子报仇,赌场逸老大带芯着矣手英下和补法残官与被抓上界车的醒流浪调汉当儒面罢对质,街赌冶场老大这稻才知垛道受了法官裔的矣挑唆撑,于是雕又畸是从一场追芹杀打幻斗埋。最后的结迢果郑,当然是倡流浪汉大第仇郁得胞报勇、人财两得,带着女孩远冰走他方惑。
备注:已完结
类型:剧情片
主演:约翰·伯格 Ben Lerner Colin MacCabe Chri
导演:Bartek Dziadosz Colin MacCabe Christopher Roth 蒂尔达·斯文顿
语言:英语
年代:未知
简介:冬天,蒂妲絲雲頓拜訪落腳於法國小山村四十餘年的好友約翰伯格,兩人漫步於靄靄白雪的村莊、或深或淺地,在小屋中聊起童年記憶與歷史承接。春天,透過凝視動物,經歷一場人類與動物關係的思辨。夏天,於山村中和三兩藝術家漫談當代政治,佐以舊時影片、音樂,探索藝術如何述說政治。秋天,蒂妲再度帶著孩子拜訪約翰以及約翰之子,在視野遼闊的山村生活中,發現傳承的意念存在於所觀看的每一片風景。 四部短片象徵四季的更迭,而山村的風景、動物、生活則是年復一年的循環,體現約翰口中「無窮延伸的此時此刻」。他的思想及人生觀與古老的農舍、青翠的綠地、放牧的牛群相呼相應,說著這個世界周遭人物景物的故事,阿爾卑斯山裡的小村莊,則是最迷人的舞台。 (以上來自2016台北金馬影展) The Seasons in Quincy is a feature-length documentary film in four parts by the Derek Jarman Lab at Birkbeck, in collaboration with Til da Swinton, Christopher Roth and Colin MacCabe. Together, the parts constitute a film portrait of John Berger, the British writer and thinker. In 1973 Berger abandoned the metropolis to live in the tiny Alpine village of Quincy. He realized that subsistence peasant farming, which had sustained humanity for millennia, was drawing to an historical close. He determined to spend the rest of his life bearing witness to this vanishing existence, not least by participating in it. Berger’s trilogy Into their Labours chronicles the peasant life of this Alpine village and its surrounding countryside. Our portrait places Berger in the rhythm of the seasons in Quincy. The four parts of the film each address different strands of Berger's life and work. The first, Ways of Listening, directed by Colin MacCabe, deals with fathers and friendship. Spring, directed by Christopher Roth, considers Berger's writing on our relationship with animals in juxtaposition with the animals that surround him in the Haute Savoie. A Song for Politics, directed by Colin MacCabe and Bartek Dziadosz, reflects on politics through a conversation between Berger, Colin MacCabe, Ben Lerner, Akshi Singh and Christopher Roth. The last part, Harvest, directed by Tilda Swinton, revisits Quincy to meditate on belonging and continuity with John and his son Yves. 來自http://www.jarmanlab.org/the-seasons-in-quincy-four-portraits-of-john-berger.html